{"id":4384,"date":"2021-07-29T17:21:27","date_gmt":"2021-07-29T15:21:27","guid":{"rendered":"https:\/\/www.goldeneradler.com\/room-207\/"},"modified":"2021-07-29T17:26:22","modified_gmt":"2021-07-29T15:26:22","slug":"room-207","status":"publish","type":"page","link":"https:\/\/www.goldeneradler.com\/en\/stories\/room-207\/","title":{"rendered":"Room 207"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.9.7″ background_color=”#46413a” custom_margin=”16px||||false|false” custom_padding=”48px||16px||false|false”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ module_class=”flex-container” _builder_version=”4.9.7″ _module_preset=”default” background_enable_color=”off” custom_margin=”||||false|false” custom_padding=”0px||0px||true|false”][et_pb_column type=”4_4″ _builder_version=”4.9.7″ _module_preset=”default”][et_pb_text module_class=”raustila ” _builder_version=”4.9.10″ _module_preset=”default” text_text_color=”#FFFFFF” text_font_size=”120px” text_line_height=”0em” background_color=”#c8a046″ text_orientation=”center” custom_margin=”|10px|0px||false|false” custom_padding=”110px|32px|30px|32px|false|true” hover_enabled=”0″ custom_css_main_element=”outline: 2px dotted #fff; ||outline-offset: -10px;” sticky_enabled=”0″]<\/p>\n

A<\/p>\n

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nna Amalia Duchess of Sachsen-Weimar and Eisenach<\/p>\n

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born on October 24, 1739 in Wolfenb\u00fcttel, Germany
died on April 10, 1807 in Weimar, Germany<\/p>\n

Born Anna Amalia von Braunschweig-Wolfenb\u00fcttel, she became the Duchess of Saxe-Weimar and Eisenach through her marriage. She worked as a regent, patron and composer.<\/p>\n

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Reference to the Goldener Adler<\/h1>\n

She visited the Goldener Adler on June 5 and 6, 1790. She was on her way home from Italy and stayed here for 2 nights<\/strong>. Johann Wolfgang von Goethe<\/a> had accompanied her.<\/p>\n

When she was in Innsbruck, she also visited Archduchess Maria Elisabeth of Austria. She was received and entertained<\/strong> in the Giant Hall of the Hofburg<\/strong> on the first day, and on June 6 was escorted to the Court Box for the performance of the comedy “The Betrothal” and the melodrama in two acts “Bernardo and Blandine”.<\/p>\n

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E<\/p>\n

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xcursion tip<\/p>\n

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Anna Amalia would probably have felt “at home” here, in the House of Music<\/strong> Innsbruck. An open house that spans generations and genres. It offers cultural events from the independent scene<\/strong> to the established high culture<\/strong> for a wide range of audiences.<\/p>\n

Nine permanent tenants and users, events of the Innsbruck and Tyrolean institutions and own events enliven the cultural location and make the Innsbruck House of Music as the center of the new cultural quarter<\/strong>. A milestone in the Tyrolean cultural landscape<\/strong> that can no longer be ignored and beyond its borders.<\/p>\n

Tyrolean Singers’ Association, Tyrolean Folk Music Association, Tyrolean Regional Theater and Symphony Orchestra Innsbruck, Festival of Ancient Music, Tyrolean State Conservatory, Wind Music Association Tyrol, Master and Chamber Concerts Innsbruck, University of Innsbruck, Mozarteum University<\/p>\n

Visit the homepage for further information:<\/p>\n

https:\/\/www.haus-der-musik-innsbruck.at\/<\/a><\/p>\n

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Life and facts<\/h2>\n

Anna Amalie (actually Anna Amalia) was born the fifth of thirteen children<\/strong> of Duke Charles I of Brunswick-Wolfenb\u00fcttel, and Philippine Charlotte of Prussia, a sister of Friedrich the Great.<\/p>\n

At the age of sixteen, she married two years older Duke Ernst August Konstantin of Saxe-Weimar, and gave birth to two sons. When her husband died after three years, Anna Amalie administered the regency for her underage son<\/strong>. She manages the duchy with human<\/strong> and economic skill<\/strong>.<\/p>\n

\n

During the famine of 1771-72, she immediately had food distributed that she herself could only obtain with difficulty.<\/p>\n<\/blockquote>\n

Despite the burden of some official duties, she cultivated the arts, especially music. She took lessons in composition and piano<\/strong> from Ernst Wilhelm Wolf and gathered a circle of musicians around her.<\/p>\n

In 1775, freed of all official duties, she devoted herself entirely to her artistic and scientific inclinations<\/strong>. She founded the Deutsches Schauspiel in Weimar<\/strong> and can also be considered the actual initiator of the Weimar museums<\/strong>.<\/p>\n

In 1788-90 she left Weimar to study<\/strong> the fine arts<\/strong> as well as music in Italy. In 1799 she wrote a book about music, which is unfortunately lost.<\/p>\n

\n

Music was probably her greatest love.<\/p>\n<\/blockquote>\n

Anna Amalie received the careful training of distinguished 18th century dilettantes. She would never have considered herself a composer in today’s sense; nevertheless, her compositions<\/strong> testify to a solid skill, extensive knowledge of the music<\/strong> of her time, and a musical sense of style<\/strong>.<\/p>\n

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Sources<\/h3>\n

Bornhak, Friederike. 1892. Anna Amalia, Herzogin von Sachsen-Weimar-Eisenach, die Begr\u00fcnderin der klassischen Zeit Weimars. Berlin. F. Fontane & Co.<\/p>\n

Brandes, Irma & Ursula Mauch. 1990. Ich habe viel gelebt in diesen wenigen Tagen. Essays. (\u00dcber Therese Forster-Heyne, Caroline Schlegel-Schelling, Caroline von Humboldt, Madame de Sta\u00ebl, Amalie von Sachsen-Weimar) Frankfurt\/M.; Berlin. Ullstein TB 30233.<\/p>\n

Ghibellino, Ettore. 2004. J. W. Goethe und Anna Amalia: Eine verbotene Liebe. 2., stark erw. Aufl.. Weimar. Denkena.<\/p>\n

Henkel, Gabriele & Wulf Otte. 1995. Herzogin Anna Amalia – Braunschweig und Weimar, Stationen eines Frauenlebens im 18. Jahrhundert. Wolfenb\u00fcttel.<\/p>\n

Salentin, Ursula. 2001. Anna Amalia: Wegbereiterin der Weimarer Klassik. K\u00f6ln\/Wien\/Weimar.<\/p>\n

Werner, Charlotte Marlo. 1996. Goethes Herzogin Anna Amalia – F\u00fcrstin zwischen Rokoko und Revolution, D\u00fcsseldorf.
(Innsbrucker Chronik, Hrsg. Konrad Fischnaler, Innsbruck 1930, S. 244)<\/p>\n

data.cfm (innsbruck.gv.at) \u2013 Chronik von Innsbruck, zusammengestellt von Carl Unterkircher, Scriptor an der k.k. Universit\u00e4ts-Bibliothek in Innsbruck. Druck und Verlag der Vereinsbuchhandlung. 1897. UB Innsbruck Separatabdruck der \u201eNeuen Tiroler Stimmen\u201c 1892\u20131896.<\/p>\n

https:\/\/www.haus-der-musik-innsbruck.at\/
https:\/\/de.wikipedia.org\/wiki\/Anna_Amalia_von_Braunschweig-Wolfenb%C3%BCttel
Websiten Stand 22.07.2021 23:09<\/p>\n

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